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TAIWAN FILM FESTIVAL BERLIN · 2026
FOLKTALE|The Story We Invent to Survive
FOLKTALE|The Story We Invent to Survive asks what stories can do when they are no longer treated as relics of the past, but as forms that continue to take shape in the present. Across Taiwanese cinema, restored classics, documentaries, live benshi narration, cine-concert performances, lectures, and sound performance, TFFB 2026 traces how stories emerge from family memory, migration, land, belief, urban solitude, and bodily experience.
Here, folktale is not a single genre or tradition. It may appear as a secret carried across generations, a ritual that gives shape to fear, a myth born from collective desire, or a sound remembered before it becomes language. Moving between screen and live performance, the programme reveals storytelling as an active process: stories are inherited, altered, reshaped, and spoken again.
Rather than presenting a single image of Taiwan, FOLKTALE offers multiple ways to understand how people make their experiences shareable—and how stories help them continue living.
Program
24 September - Thursday
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The Waves Will Carry Us《人生海海》
LAU Kek-Huat|Taiwan|2025|18+|100 mins
Mandarin, Malay, Cantonese, Min Nan|Subtitles: EN, ZH
Genre : Drama
Opening film
German premiere
When Ah-Yao returns to Malaysia for his father’s funeral, religious authorities seize the body after discovering that his father had secretly converted to Islam. Refusing to accept the decision, Ah-Yao and his siblings set out to bring their father home.
Blending dark humour and family drama with the momentum of a road movie, The Waves Will Carry Us follows a family confronting memories and histories they never fully knew. What begins as a dispute over burial becomes a journey through migration, belief, and the unfinished stories carried across generations.
Q&A with director LAU Kek-Huat 廖克發 after the movie.

Director: LAU Kek-Huat 廖克發

Cast
WEI Chun-Chan 魏雋展,
Vera CHEN 陳雪甄,
Fabian LOO 呂楊

2025 Golden Horse Awards - Best Supporting Actress
2026 Taipei Film Awards - Best Supporting Actress
2025 Golden Horse Awards - Best Narrative Feature Nomination
25 September - Friday
Location: Weddingmarkt, Leopoldplatz, 13347 Berlin
Free entry.
Taiwan Cultural Day台灣文化市集 marks the return of the Taiwan Film Festival Berlin in 2026, expanding the cinematic experience into an all-sensory celebration.
Hosted at Weddingmarkt on Leopoldplatz, the second edition of the Taiwan Cultural Day (TKT) features an immersive open-air market filled with authentic Taiwanese tastes—from classic bubble tea to iconic street food—alongside hands-on calligraphy workshops and contemporary literature. With interactive experiences such as Taiwanese mahjong and traditional paper cutting, the event connects Berlin’s international community with Taiwan’s vibrant traditions and contemporary creative energy .
For more information and updates please visit
Impression Taiwans Instagram:
instagram.com/impression.taiwan
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Focus Director: LAU Kek-Huat 廖克發
From Island to Island 《由島至島》
LAU Kek-huat|Taiwan|2024|290 min
18+|Not rated by the German FSK. Admission for adults only.
Hokkien, English, Taiwanese, Malay, Hakka|Subtitles: EN, ZH
Genre: Documentary
German premiere
Through oral histories, family letters, diaries, and archival footage, From Island to Island traces Taiwan's wartime history through the experiences of ordinary people. It follows Taiwanese soldiers and civilians living under Japanese colonial rule, including those whose lives extended across Southeast Asia during the Second World War. The film does not reconstruct a single narrative. It listens to what different people chose to keep, and what they chose to pass on.
Post-screening Q&A with director LAU Kek-Huat 廖克發 after the movie.

Director: LAU Kek-Huat 廖克發
LAU is a Taiwan-based Malaysian filmmaker. His debut feature Boluomi earned a Golden Horse Best New Director nomination and Tokyo Talent Award. His documentaries won top honors at the Golden Horse and Taipei Film Festivals, while his short Nia’s Door won the Busan Sonje Award.
Festivals and Awards
2024 Taipei Film Awards - Grand Prize
2024 Golden Horse Awards - Best Documentary Feature
2024 Golden Horse Awards - Best Sound Effects
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Mongrel《白衣蒼狗》
CHIANG Wei-Liang|Taiwan, Singapore, France|2024|128 mins
18+|Not rated by the German FSK. Admission for adults only.
Taiwanese, Mandarin, Thai|English Subtitles
Genre: Drama
Berlin premiere
Oom has no legal status and no formal training, yet he has become a caregiver for older people and people with disabilities living in the mountains. As the demands of his work become increasingly difficult to bear, he is forced to choose between survival and dignity. The film follows Oom as he struggles to hold on to both through the everyday realities of caregiving.
Pre-recorded Q&A with director CHIANG Wei-Liang 曾威量 after the movie.

Director : CHIANG Wei-Liang 曾威量
Chiang is a Singaporean filmmaker based in Taiwan, explores Southeast Asian migration and diaspora. An alumnus of top international film academies, his acclaimed work includes the Berlinale Audi Short Film Award winner Anchorage Prohibited and the VR short Only The Mountain Remains. Mongrel is his debut feature film.
Cast
Wanlop RUNGKUMJAD, LU Yi-Ching 陸弈靜, HONG Yu-Hong 洪瑜鴻(春風), KUO Shu-Wei 郭書瑋, Atchara SUWAN

Festivals and Awards
2024 Cannes Film Festival - Special Mention for the Caméra d’Or
2024 Golden Horse Awards - Best New Director
2024 Singapore International Film Festival - Best Asian Feature Film
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On-site registration is also available.
Venue: Weddingmarkt, Leopoldplatz, 13347 Berlin
Find the workshop within the TKT Day event.
Language: English
Fee: €5
Join the Workshop & Enjoy €5 Off the Performance Ticket
Bring a sound of home into the room.
Led by Taiwanese narrative and sound artist YANG Yu-Chiao 楊雨樵, this workshop begins with a simple introduction to how hearing works. Participants then turn to sounds they associate with home. Through listening, writing, and vocal exercises, they use onomatopoeia to give form to remembered sounds. If no existing word feels quite right, they are invited to invent one of their own.
The sounds and words created during the workshop will become part of The House of Onomatopoeia – Berlin one day later, allowing participants to contribute directly to the performance. No previous experience is required.

Artist: YANG Yu-Chiao 楊雨樵
YANG is a narrative and sound artist researching the narratology of oral literature. He combines storytelling, vocal performance, extended oral techniques, and blackboard writing to create experimental audiovisual works focused on onomatopoeia, ideophones, and auditory literature. His work has been presented across Europe and Asia, and he is a Teaching Artist at the National Kaohsiung Center for the Arts (Weiwuying).
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26 September - Saturday
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Focus Director: LAU Kek-Huat 廖克發
Boluomi 《菠蘿蜜》
LAU Kek-Huat, Vera Chen|Taiwan|2019|18+|108 mins
Mandarin, Taiwanese, Malay, Cantonese, Vietnamese|Subtitles: EN, ZH
Genre : Drama
German premiere
During the guerrilla war fought by the Malayan Communist Party, babies were sent out of the jungle to ensure their survival. Boluomi was one of them. Decades later, much of her past remains unknown.
Yi-Fan, a young Malaysian who left his country because of racial discrimination, gradually discovers his connection to Boluomi. As he does, Boluomi's long-unknown past comes into view, connecting two lives across decades of silence.
Q&A with director LAU Kek-Huat 廖克發 after the movie.


Cast:
WU Nien-Hsuan 吳念軒, Vera CHEN 陳雪甄, Laila ULAO, KUAN Jia-Xian 官佳賢, HSU Nai-Han 許乃涵

Festivals and Awards:
2019 Golden Horse Awards - Best New Director Nomination
2020 Taipei Film Awards - Best Narrative Feature Nomination
2020 Taipei Film Awards - Best Leading Actress Nomination
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Island of the Winds 《大風之島》
HSU Ya-ting|Taiwan, France, Japan|2025|119 mins
18+|Not rated by the German FSK. Admission for adults only.
Taiwanese|Subtitles: EN, ZH
Genre: Documentary
German premiere
On the outskirts of Taipei, a community of people affected by leprosy has lived for decades in a settlement they built together. When redevelopment plans threaten to demolish their homes and force residents to relocate, the film follows their efforts to remain where they have spent their lives. Filmed over many years, it records what a community builds, what it stands to lose, and what it means to fight for a place no one else has chosen to protect.
Online Q&A with director HSU Ya-Ting 許雅婷 after the movie.

Director : HSU Ya-ting 許雅婷

Festivals and Awards

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Venue: P60 (Prinzenallee 60, 13359 Berlin)
Language:English
€15 General Admission / €10 for Workshop Participants
What does home sound like?
Created and artistically directed by YANG Yu-Chiao, The House of Onomatopoeia – Berlin grows from sounds of home gathered during a workshop held one day before the performance. YANG Yu-Chiao 楊雨樵 (concept, artistic direction, vocals, percussion), LIN Hui-Chun 林惠君 (cello, vocals), Romain C. BERTHEAU (electronics), Ligia LIBERATORI (vocals, objects), and TSOU Yu-Sheng 鄒佑昇 (Poesie, Lesung) transform these personal memories through voice, percussion, cello, electronics, objects, poetry, reading, and improvisation.
The work brings different languages and memories into the same space without asking them to become a single story. Each sound helps build the house again.

Artistic Director and Performer:
YANG Yu-Chiao 楊雨樵 is a narrative and sound artist researching the narratology of oral literature. He combines storytelling, vocal performance, extended oral techniques, and blackboard writing to create experimental audiovisual works focused on onomatopoeia, ideophones, and auditory literature. His work has been presented across Europe and Asia, and he is a Teaching Artist at the National Kaohsiung Center for the Arts (Weiwuying).

Romain C. BERTHEAU is a composer, pianist and organist whose work combines contemporary composition, radical improvisation, organ and no-input mixer electronics. Treating instruments as living entities, he emphasizes subtle textures, sonic detail and spatial dialogue. He also founded Organ Sequences, Berlin’s experimental and contemporary organ music series.

Ligia LIBERATORI is a singer, improviser, performer and composer specializing in extended vocal techniques and the relationship between music and movement. Her practice combines experimental voice, acrobatics and scenic performance. Working between Berlin and Buenos Aires, she collaborates internationally and currently performs in Lina Lapelyté’s We Make Years out of Hours at the Hamburger Bahnhof, Museum of Contemporary Art.

LIN Hui-Chun 林惠君 is a cellist and composer specializing in improvised and interdisciplinary performance. Her practice spans improvisation, Echtzeitmusik, contemporary, experimental, world and noise music. Inspired by nature and science, she creates graphic scores for improvisers and performs with ensembles including Ensemble Discoveries, Hunter Underwater, and Fat Cat and Drunk Mouse.

TSOU Yu-Sheng 鄒佑昇 holds a doctorate in Buddhist Studies from LMU Munich. Using Luhmannian systems theory, he examines epistemological and poetic entanglements in Esoteric Buddhist ritual. His poetry generates quasi-texts. Publications notably include A Brief Commentary on the Calendar of the Greatest Unfolding and die sich vereinende deckung.
27 September - Sunday
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The Legend of The Sacred Stone 4K Restoration 《聖石傳說 4K 數位修復版》
HUANG Qiang-Hua|Taiwan|2000|96 mins
18+|Not rated by the German FSK. Admission for adults only.
Taiwanese|Subtitles: EN
Genre: Fantasy, WuXia
German premiere
Set in a richly imagined martial world brought to life through Taiwanese glove puppetry, The Legend of the Sacred Stone follows a struggle over the legendary Will Stone, an artefact said to hold immense power. As the search for the Will Stone draws together heroes, villains, and rival factions, the film unfolds through spectacular battles, intricate puppetry, and an epic tale of loyalty, righteousness, and fate. Premiering in 2000, it became a landmark in the history of glove puppetry cinema. Newly restored in 4K, it now makes its German big-screen debut.
Pre-recorded Q&A with director HUANG Qiang-Hua 黃強華 after the screening.

Director: HUANG Qiang-Hua 黃強華
HUANG is chief director and head writer of Taiwan’s PILI Puppet Show series, which has produced over 3,000 hours of television across 38 years. Known for literary depth and complex storytelling, he directed Wolf Castle (1998) and the feature films Legend of the Sacred Stone, The Arti, and Demigod.
Festivals and Awards:
2000Taipei Film Awards - Annual Recommendations of Feature Films_Award of Outstanding Technique of the Year
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The Pig, the Snake and the Pigeon 《周處除三害》
WONG Ching-po|Taiwan|2023|18+|133 min
Mandarin|Subtitles: EN, ZH
Genre: criminal, action
Europe premiere
After learning that he has only months left to live, fugitive CHEN Gui-Lin discovers that he ranks only third on Taiwan's most-wanted list. Determined to hunt down the two criminals ranked above him, he sets out across Taiwan in pursuit of the country's two most-wanted fugitives, as his search grows into something larger than a manhunt.
The film became a phenomenon through what audiences found inside it: their own frustrations, fantasies, and ideas of justice.
Pre-recorded Q&A with director WONG Ching-Po 黃精甫 after the screening.

Director: WONG Ching-po 黃精甫

cast:
Ethan JUAN 阮經天, Gingle WANG 王淨, Ben YUEN 袁富華, CHEN Yi-Wen 陳以文

Venue: P60 Prinzenallee 60, 13359 Berlin
Language: English
Advance registration required.
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Application deadline: 20 September
Fee: €30 / €15 for Students (includes lunch)
Some histories are not forgotten. They were just never fully told.
Across his work, LAU Kek-Huat has returned to unfinished histories rooted in Taiwan, Malaysia, and Southeast Asia, tracing family memory, migration, political trauma, and lives shaped by what remains unsaid. In this masterclass, he reflects on how he approaches filmmaking when archives are incomplete, witnesses disagree, and no single language can fully explain what happened. Rather than searching for definitive answers, he asks how cinema can stay with what remains incomplete.
Director: LAU Kek-Huat 廖克發
LAU is a Taiwan-based Malaysian filmmaker. His debut feature Boluomi earned a Golden Horse Best New Director nomination and Tokyo Talent Award. His documentaries won top honors at the Golden Horse and Taipei Film Festivals, while his short Nia’s Door won the Busan Sonje Award.
Sponsored by EVA Air - Cultural Ambassador Program.
28 September - Monday
The River 2K Restoration《河流 2K 數位修復版》
TSAI Ming-Liang|Taiwan|1997|116 mins
18+|Not rated by the German FSK. Admission for adults only.
Mandarin, Taiwanese|Subtitles: EN, ZH
Genre: Drama
After playing as a floating corpse in a film shoot, Hsiao-Kang develops a mysterious neck condition that no treatment can cure. Living under the same roof, he and his parents lead separate lives, rarely connecting despite sharing the same home.
As they search for relief through hospitals, temples, and the hidden spaces of the city, they drift further apart while continuing to share the same roof.

Director: TSAI Ming-Liang 蔡明亮
Malaysian-born Taiwanese filmmaker Tsai Ming-liang is a master of cinema whose long-term collaboration with actor Lee Kang-sheng defines his work. Following his debut Rebels of the Neon God, Tsai won major festival honors, including Venice’s Golden Lion for Vive L’amour and the Grand Jury Prize for Stray Dogs.
Cast:
MIAO Tien 苗天, LEE Kang-Sheng 李康生, LU Yi-ching 陸弈靜, Ann HUI 許鞍華, CHEN Shiang-Chyi 陳湘琪, CHEN Chao-Jung 陳昭榮, CHANG Long 張龍, Special Appearance: YANG Kuei-Mei 楊貴媚

Festivals and Awards :
1997 Berlin International Film Festival - Silver Bear Special Jury Prize
1997 Berlin International Film Festival - FIPRESCI Prize
1997 Chicago International Film Festival - Silver Hugo
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Opening film
Focus Director: LAU Kek-Huat 廖克發
The Waves Will Carry Us《人生海海》
LAU Kek-Huat|Taiwan|2025|18+|100 mins
Mandarin, Malay, Cantonese, Min Nan|Subtitles: EN, ZH
Genre : Drama
German premiere
When Ah-Yao returns to Malaysia for his father’s funeral, religious authorities seize the body after discovering that his father had secretly converted to Islam. Refusing to accept the decision, Ah-Yao and his siblings set out to bring their father home.
Blending dark humour and family drama with the momentum of a road movie, The Waves Will Carry Us follows a family confronting memories and histories they never fully knew. What begins as a dispute over burial becomes a journey through migration, belief, and the unfinished stories carried across generations.
Q&A with director LAU Kek-Huat 廖克發 after the movie.

Director: LAU Kek-Huat 廖克發

Cast:
WEI Chun-Chan 魏雋展,
Vera CHEN 陳雪甄,
Fabian LOO 呂楊

29 September - Tuesday
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Family Matters《我家的事》
PAN Ke-Yin|Taiwan|2025|99 mins
18+|Not rated by the German FSK. Admission for adults only.
Taiwanese, Mandarin|Subtitles: EN, ZH
Gerne: Drama, Family
Berlin premiere
Spanning twenty-four years and four distinct periods, Family Matters follows a seemingly ordinary Taiwanese family as each member faces a life-altering challenge. An elder sister searches for her origins, a younger brother unexpectedly meets his birth father, a mother grapples with artificial insemination, and a father struggles to rebuild his life.
Pre-recorded Q&A with director PAN Ke-Yin 潘客印 after the movie.

Director : PAN Ke-Yin 潘客印
PAN is a Taiwanese filmmaker, writer, and editor. After editing for a decade, he directed acclaimed shorts My sister and Daddy-To-Be. Known for blending humor with restraint to explore complex family dynamics and unspoken emotions, he makes his feature directorial debut with Family Matters.
Cast:
LAN Wei-Hua 藍葦華 , Alexia KAO 高伊玲 , TSENG Jing-Hua 曾敬驊 ,
Queena HUANG 黃姵嘉 , YAO Chun-Yao 姚淳耀

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Fee: €15/ €13 for students
Love and Duty《戀愛與義務》
BU Wan-Cang / Richard POH|China|1931/2014|152 mins
18+|Not rated by the German FSK. Admission for adults only.
Mandarin|Silent movie Subtitles
Genre: Drama, Social realism
with Live Benshi YANG Yu-Chiao and Cine-concert LIU Fang-Yi live performance.
Before films could speak, someone had to speak for them.
Released in 1931, Love and Duty returns as both a restored silent film and a live cinematic experience. Benshi narration by YANG Yu-Chiao and an experimental cine-concert by LIU Fang-Yi reimagine the restored silent film through voice, sound, and rhythm.
Echoing the live traditions of early cinema, the performance creates a new encounter between the film and its audience. No two presentations are exactly alike.
What Is Benshi and Experimental Cine-concert?
Benshi are live narrators in the tradition of East Asian silent cinema, giving voice to characters and guiding audiences through the story. In an experimental cine-concert, a sound artist responds to the film in real time, allowing image, voice, sound, space, and audience presence to form a shared live experience.
At TFFB 2026, these elements are presented not as historical reenactments, but as acts of retelling. Each screening becomes a unique encounter where stories are revoiced, reshaped, and brought to life in the present.

Director: BU Wan-Cang / Richard POH 卜萬蒼
BU Wan-Cang (1900–1973) was a pioneering Chinese filmmaker and one of the leading directors of Shanghai cinema during the silent and early sound eras. Renowned for his elegant visual style and sophisticated storytelling, he directed landmark works including Love and Duty, Mulan Joins the Army, and Diao Chan. His films remain influential in the history of early Chinese cinema.
Cast:
RUAN Ling-Yu 阮玲玉, Raymond KING (JIN Yan) 金焰, LIU Ji-Qun 劉繼群, CHEN Yan-Yan 陳燕燕, LI Ying 黎英, ZHOU Li-Li 周麗麗, GAO Wei-Lian, Huang Ke 黃克, WANG Yi-Wen 王意文, SHI Jue-Fei 時覺非, YU Ju-Yun 俞菊雲, OUYANG Bo-Lu 歐陽伯盧, GUO Ying-Ying 郭鶯鶯

Benshi: YANG Yu-Chiao 楊雨樵
YANG is a narrative and sound artist researching the narratology of oral literature. He combines storytelling, vocal performance, extended oral techniques, and blackboard writing to create experimental audiovisual works focused on onomatopoeia, ideophones, and auditory literature. His work has been presented across Europe and Asia, and he is a Teaching Artist at the National Kaohsiung Center for the Arts (Weiwuying).

Cine-concert: LIU Fang-Yi 劉芳一
LIU born and based in Kaohsiung, Taiwan, is an artist, improviser, composer, performer, and organizer specializing in free improvisation. His practice integrates acoustic objects, electronics, cassette tapes, and voice. He is a member of Semicircular and the experimental music group Beniyaben. His sound design credits include Dorm (Ky Túc Xá), This Shore: A Family Story, and The Architect Who Built His Own Collapse. His work has been presented at NTMoFA and MoCA Taipei.
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Q&A with directors after the screening.
Bringing together filmmakers connected to the Taiwanese diaspora, this programme reflects the diverse experiences and artistic practices that emerge across borders. While shaped by different places, histories, and personal trajectories, the six films move between intimacy and experimentation, touching on migration, belonging, isolation, mortality, and the lingering traces of colonial histories. Together, they offer perspectives that are at once deeply personal and in dialogue with the worlds they inhabit.
Les Cascades
TSENG Tzu-Man|2025|22 min.
18+|Not rated by German FSK. Admission for adults only.
Mandarin, French, English, Cantonese|Subtitles: EN
As her residency deadline approaches, a young woman grapples with the chasm between her aspirations of living abroad and its often jarring reality.

Liquor
HUANG Yi-CHEN|2025|5 min.
18+|Not rated by German FSK. Admission for adults only.
Mandarin|Subtitles: EN, DE
The mother suffers from an illness that threatens to drown her memories and emotions. She pleads with her daughter for help. Using her umbilical cord, she fashions a giant straw, with which the daughter attempts to suck excess water from her mother's head through her eye, hoping to save her. In the process, the daughter herself risks drowning.

ma.
Szu-Fan Chung|2025|18min
18+|Not rated by German FSK. Admission for adults only.
Mandarin, English,Mandarin|Subtitles: Mandarin
[ma.] is an intimate portrait of a mother and child, exploring memory, silence, and the enduring traces of love. Shot in digital black and white and interwoven with colour Super 8 footage, the film reflects on the fragile nature of memory and the passage of time.

The Fissure Of The Red Sight
KAO Wei-Heng|2025|12 min.
18+|Not rated by German FSK. Admission for adults only.
Mandarin|Subtitles: EN
In Taipei New Park, a woman uses a device meant to find hidden cameras but accidentally brings the park’s statues to life. These statues, linked to Taiwan’s colonial past, seem to rise to avenge a tragic plane crash during a 1964 national day’s military parade under CHIANG Kai-shek’s military law.

Lethe 忘川
Huang Liang-Hsin|2025|6min
18+|Not rated by German FSK. Admission for adults only.
Mandarin|Subtitles: Mandarin, English
A sculptor reminisces about his old days after his death. On the river Lethe, the river of forgetfulness in Greek myths, this fantasy voyage starts. He encounters his sculptures and experiences again the old days of living with his daughter. You feel the intimacy, the emotion and the breath.

Hong Te-Gao|2026|16 min.
18+|Not rated by German FSK. Admission for adults only.
English, French, Mandarin|Subtitles: EN
Through the eyes of a young Taiwanese filmmaker living in France, the film explores the political tension between China and Taiwan, particularly through the disputed naming of the nation and the identity linked to the flag. The film stands as a poetic resistance against hegemony, highlighting friendships that bond beyond the shadow of power.

30 September - Wednesday
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Vive L'Amour 4K Restoration(zh:《愛情萬歲 4K 數位修復版》
TSAI Ming-Liang|Taiwan|1994|119 mins
18+|Not rated by the German FSK. Admission for adults only.
Mandarin|Subtitles: EN, ZH
Gerne: Drama
German Premier
In 1990s Taipei, three strangers unknowingly share the same vacant apartment while leading separate lives across the city. A real estate agent, a street vendor, and a columbarium salesperson drift in and out of the same space without ever truly meeting.
Blending understated humour with quiet observation, the film traces their fleeting encounters as moments of intimacy quietly dissolve back into solitude.

Director: TSAI Ming-Liang 蔡明亮
Malaysian-born Taiwanese filmmaker Tsai Ming-liang is a master of cinema whose long-term collaboration with actor Lee Kang-sheng defines his work. Following his debut Rebels of the Neon God, Tsai won major festival honors, including Venice’s Golden Lion for Vive L’amour and the Grand Jury Prize for Stray Dogs.
Cast:
YANG Kuei-Mei 楊貴媚, LEE Kang-Sheng 李康生, CHEN Chao-Jung 陳昭榮

Festivals and Awards:
1994 Venice International Film Festival - Golden Lion
1994 Venice International Film Festival - FIPRESCI Prize
1994 Golden Horse Awards - Best Narrative Feature
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Venue: P60 (Prinzenallee 60, 13359 Berlin)
Language: English
Donations Welcome · €10 Recommended
Why do people keep returning to the same stories?
Moving between German fairy-tale films and contemporary Taiwanese cinema, this lecture explores how folktales continue to take on new meanings through adaptation. Familiar plots and motifs are not simply repeated. They are reshaped through new media, storytellers, and cultural contexts.
The lecture invites audiences to consider what familiar stories can still reveal about human nature and the realities of the present.
Artist: YANG Yu-Chiao 楊雨樵
YANG is a narrative and sound artist researching the narratology of oral literature. He combines storytelling, vocal performance, extended oral techniques, and blackboard writing to create experimental audiovisual works focused on onomatopoeia, ideophones, and auditory literature. His work has been presented across Europe and Asia, and he is a Teaching Artist at the National Kaohsiung Center for the Arts (Weiwuying).
This programme turns toward a new generation of filmmakers working in Taiwan, bringing together six works that confront the extraordinary within everyday life. Encounters with the afterlife, exploring queerness, the weight of routine, and the lasting impact of sexual violence emerge through diverse cinematic approaches. Together, the films reflect a willingness to question inherited structures while imagining new ways of inhabiting the body, relationships, and the world.
Paper Life 美好生活
An Chu|2025|15 min.
18+|Not rated by German FSK. Admission for adults only.
Mandarin|Subtitles: EN
Young Taiwanese worker Lin spends his days crafting intricate paper houses for funeral offerings. When his boss arranges a blind date for him, he begins to envision his future through the burning paper houses.

The Brave Swing 自主揮棒
Sheng Chun HUANG|2026|20 min.
18+|Not rated by German FSK. Admission for adults only.
Mandarin|Subtitles: ZH,EN
Lately, CHENg-CHENg has changed. He no longer plays baseball, nor does he want to go near the field—as if something inside him has been sealed shut.
His mother tries to reach out, but can’t quite grasp the reason. The confusion and fear he carries stem from someone he once trusted deeply.
One evening, CHENg-CHENg finds himself alone at the edge of the field, staring down at a baseball bat. He knows that this time, he must decide—whether to swing, or not.

June (Chia-En) Lee|2026|5 min.
18+|Not rated by German FSK. Admission for adults only.
Min-nan Taiwanese, English|Subtitles: EN
A little girl crashes a ghost village after her gambling-addict grandpa’s soul is kidnapped, only to discover the only way to save him is to send him off—in a firework

Blooming Dodie 你好朵朵
Sammy Lin|2026|16 min.
18+|Not rated by German FSK. Admission for adults only.
Mandarin|Subtitles: ZH, EN
On a winter hot-spring trip, twelve-year-old Dodie refuses to enter the water in the girly swimsuit her father bought. Feeling misunderstood, she hides by the poolside, watching the girls in the bath—none of whom look like someone she wants to become.
Then, the calm, androgynous presence of Fujiko, a 69-year-old bathhouse worker, catches her attention. Dodie quietly steps closer…"

Songs of Gentle Night 良夜之歌
Tsu Kuei CHEN|2025|11 min.
18+|Not rated by German FSK. Admission for adults only.
Language: N/A|Subtitles: ZH, EN
After their death, they become a dark moon, quietly descending into the dreams of the last person who still remembers them. They don’t know where they are, only that everything around them feels both familiar and strange. They follow their memories to a stream near their childhood home. The water flows gently and people come and go, but none see them.
This film is a record of my father’s life after the passing of my grandmother. He often walks to the stream or beach near our home, sinking into the memories of his mother. Three years ago, not long after my grandmother passed, my father’s cousin sent us an old video: 8mm film shot by my great-uncle in his youth. In the images were my newborn father, my young grandmother, and a grandfather I had never met.

Off Road 跑鞋
Pai Kuei Tsuen|2021|24 min.
18+|Not rated by German FSK. Admission for adults only.
Mandarin|Subtitles: ZH, EN
To Wei-CHENG, life is like a broken record, running in a never-ending loop. Facing existential crisis, this middle-aged man struggles to patch things up with his distanced son for the sake of breaking the "father-to-son legacy" curse. And when things won't go his way, he goes off road.

01 October - Thursday
Book your tickets here
The Story of Southern Islet《南巫》
CHONG Keat-Aun|Malaysia|2020|105 mins
18+|Not rated by the German FSK. Admission for adults only.
Mandarin, Hokkien, Malay|Subtitles: EN, ZH
German premiere
Set in 1987 near the Thailand–Malaysia border, The Story of Southern Islet follows Yan as she searches for a cure after her husband Cheong falls mysteriously ill. As months of medical treatment bring no answers, she turns to village ritual, a local shaman, and the legends surrounding Mount Keriang. Blending family drama with everyday folk belief, the film unfolds through Yan's search. The film does not explain these rituals or legends. It simply follows what Yan does when medicine runs out.
Q&A with director CHONG Keat-Aun張吉安 after the movie.
Sponsored by EVA Air - Cultural Ambassador Program.

Director : CHONG Keat-Aun 張吉安
Malaysian director and community arts practitioner CHONG Keat-Aun gained international acclaim with The Story of Southern Islet, winning Best New Director at the Golden Horse Awards. His follow-up Snow in Midsummer won top prizes at Venice and New York, while Pavane for an Infant recently tackled women's autonomy.
Cast:
Jojo GOH 吳俐璇, Season CHEE, Mei Sim HOON 雲鎂鑫, Pearlly CHUA 蔡寶珠, Ling TANG

Book your tickets here
WU Tzu-An Short Film Collage〈吳梓安短片集〉|2015–2026
18+|Not rated by the German FSK. Admission for adults only.
English Subtitles
With Live Benshi YANG Yu-Chiao 楊雨樵 and Cine-concert LIU Fang-Yi 劉芳一 live performance, and Post-screening Q&A with director WU Tzu-An 吳梓安
Collage does not create new images. It reveals new relationships between them.
Four experimental short films by Taiwanese artist and filmmaker WU Tzu-An come together in a single live cinematic performance. Through benshi narration by YANG Yu-Chiao and an experimental cine-concert by LIU Fang-Yi, the independent works enter into dialogue through image, voice, sound, and silence.
Experienced as one continuous audiovisual journey, the films remain unchanged. What transforms is the encounter between them.
The Embryo’s Dream, Upon the Moon|《月球上胎兒的夢》
WU Tzu-An|2022 | 10 mins | Colour | Super 8 + Digital video
In the near future, humans who migrated to the Moon colony forced themselves to evolve with other species' genes. And the dream of an embryo would combine the memories of their previous lives, planets and species. Under this Sci-Fi setting. This film is an embryo's dream that is monitored by a "midwife", pieces of frozen memory documented for their future.

After WU’s arrival in New Zealand, WU has been trying to take a photo of the starry night sky every day with his phone, whether or not it was clear. The star photos can be interpreted as diaries. Using a 16mm Bolex camera to film the stars frame by frame with long exposure. Exposure time was determined by the mind. These uneven pulsations of lights correspond to the starlight changing along with the thoughts that were at mind. This film documents WU’s everyday ritual of star-gazing with the related associations and inspirations and forms a meditative process.

Wandering through and documenting different religious spaces when traveling, then through editing, these half sacred and half site-seeing experiences have been collaged to a passage to another heterogeneous space. Throughout the corridors and doors, The statues of saints and dolls gaze into the after world without the existence of humans, silence in trance. And it is the voice of prayers bringing me back to the mundane world.

Our world sinks, and words, sounds, and images are all immersed in water. The clam spits out a mirage, the mermaid turns into foam, and the human reoccurs. In the cavity called "I", the fluid flow seems to flicker and disappear. Water means both nurturing and sinking. The inhuman sirens are both beautiful and terrifying. This work exchanges diffuse curiosity with experimental musician Fang-Yi Liu, from the occurrence of the fetus to the occurrence of imagery, which is triggered into an abstract science fiction film with a loose narrative and a sense of the end of the world.

Director: WU Tzu-An 吳梓安
WU is an experimental filmmaker whose analogue collages and expanded cinema works combine found images, sound, and text to examine narrative and subjectivity. He holds degrees from The New School and NTHU. His work has screened internationally, and he also curates experimental film through ЯeaRflex and Bak-Nih Audiovisual Lab.

Benshi: YANG Yu-Chiao 楊雨樵
YANG is a narrative and sound artist researching the narratology of oral literature. He combines storytelling, vocal performance, extended oral techniques, and blackboard writing to create experimental audiovisual works focused on onomatopoeia, ideophones, and auditory literature. His work has been presented across Europe and Asia, and he is a Teaching Artist at the National Kaohsiung Center for the Arts (Weiwuying).

Cine-concert: LIU Fang-yi 劉芳一
LIU born and based in Kaohsiung, Taiwan, is an artist, improviser, composer, performer, and organizer specializing in free improvisation. His practice integrates acoustic objects, electronics, cassette tapes, and voice. He is a member of Semicircular and the experimental music group Beniyaben. His sound design credits include Dorm (Ky Túc Xá), This Shore: A Family Story, and The Architect Who Built His Own Collapse. His work has been presented at NTMoFA and MoCA Taipei.
02 October - Friday
Book your tickets here
Mother Bhumi《地母》
CHONG Keat-Aun|Malaysia, Hong Kong, Italy, Saudi Arabia|2025|129 mins
18+|Not rated by the German FSK. Admission for adults only.
Mandarin, Malay, Thai|English Subtitles
Closing Film
German premiere
Set in late-1990s Malaysia, Mother Bhumi follows Hong-Im, a widowed farmer and ritual healer trying to protect her family in a multi-ethnic rice-farming village. By day, she resists the seizure of local farmland; by night, she heals the sick and performs exorcisms. As colonial-era conflicts resurface, spirits return, black magic stirs, and a monk leads a buffalo. Here, the line between the living and the dead, between political power and ritual knowledge, has never been clearly drawn.
Q&A with director CHONG Keat-Aun 張吉安 after the movie.
Sponsored by EVA Air - Cultural Ambassador Program.

Director : CHONG Keat-Aun 張吉安
Malaysian director and community arts practitioner CHONG Keat-Aun gained international acclaim with The Story of Southern Islet, winning Best New Director at the Golden Horse Awards. His follow-up Snow in Midsummer won top prizes at Venice and New York, while Pavane for an Infant recently tackled women's autonomy.
Cast :
FAN Bing-Bing 范冰冰 , Natalie HSU 許恩怡 , BAI Run-Yin 白潤音, Pearlly CHUA 蔡寶珠

2025 Golden Horse Awards - Best Leading Actress
2025 Golden Horse Awards - Best Cinematography
2025 Golden Horse Awards - Best Original Film Song
03 October - Saturday
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Mother Bhumi《地母》
CHONG Keat-Aun|Malaysia, Hong Kong, Italy, Saudi Arabia|2025|129 mins
18+|Not rated by the German FSK. Admission for adults only.
Mandarin, Malay, Thai|English Subtitles
German premiere
Set in late-1990s Malaysia, Mother Bhumi follows Hong-Im, a widowed farmer and ritual healer trying to protect her family in a multi-ethnic rice-farming village. By day, she resists the seizure of local farmland; by night, she heals the sick and performs exorcisms. As colonial-era conflicts resurface, spirits return, black magic stirs, and a monk leads a buffalo. Here, the line between the living and the dead, between political power and ritual knowledge, has never been clearly drawn.
Q&A with director CHONG Keat-Aun 張吉安 after the movie.
Sponsored by EVA Air - Cultural Ambassador Program.

Director : CHONG Keat-Aun 張吉安
Malaysian director and community arts practitioner CHONG Keat-Aun gained international acclaim with The Story of Southern Islet, winning Best New Director at the Golden Horse Awards. His follow-up Snow in Midsummer won top prizes at Venice and New York, while Pavane for an Infant recently tackled women's autonomy.
Cast :
FAN Bing-Bing 范冰冰 , Natalie HSU 許恩怡 , BAI Run-Yin 白潤音, Pearlly CHUA 蔡寶珠

2025 Golden Horse Awards - Best Leading Actress
2025 Golden Horse Awards - Best Cinematography
2025 Golden Horse Awards - Best Original Film Song
04 October - Sunday
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Vive L'Amour 4K Restoration(zh:《愛情萬歲 4K 數位修復版》
TSAI Ming-Liang|Taiwan|1994|119 mins
18+|Not rated by the German FSK. Admission for adults only.
Mandarin|Subtitles: EN, ZH
Gerne: Drama
German Premier
In 1990s Taipei, three strangers unknowingly share the same vacant apartment while leading separate lives across the city. A real estate agent, a street vendor, and a columbarium salesperson drift in and out of the same space without ever truly meeting. Blending understated humour with quiet observation, the film traces their fleeting encounters as moments of intimacy quietly dissolve back into solitude.

Director: TSAI Ming-Liang 蔡明亮
Malaysian-born Taiwanese filmmaker Tsai Ming-liang is a master of cinema whose long-term collaboration with actor Lee Kang-sheng defines his work. Following his debut Rebels of the Neon God, Tsai won major festival honors, including Venice’s Golden Lion for Vive L’amour and the Grand Jury Prize for Stray Dogs.
Cast:
YANG Kuei-Mei 楊貴媚, LEE Kang-Sheng 李康生, CHEN Chao-Jung 陳昭榮

Festivals and Awards:
1994 Venice International Film Festival - Golden Lion
1994 Venice International Film Festival - FIPRESCI Prize
1994 Golden Horse Awards - Best Narrative Feature
Venue: P60 (Prinzenallee 60, 13359 Berlin)
Language: Mandarin with English simultaneous interpreter
Fee: €40 / 10€ for Students
What if the city itself became your cinema?
Led by sound artist LIU Fang-Yi, participants work in pairs to collect sounds and photograph details in the neighbourhood surrounding the venue. These fragments are then transformed through analogue media, projection, repetition, rhythm, and live manipulation.
The workshop culminates in a collective expanded cinema performance created by the participants. No previous experience is required. Curiosity and attention are where the process begins.
Artists: LIU Fangyi 劉芳一, born and based in Kaohsiung, Taiwan, is an artist, improviser, composer, performer, and organizer specializing in free improvisation. His practice integrates acoustic objects, electronics, cassette tapes, and voice. He is a member of Semicircular and the experimental music group Beniyaben. His sound design credits include Dorm (Ky Túc Xá), This Shore: A Family Story, and The Architect Who Built His Own Collapse. His work has been presented at NTMoFA and MoCA Taipei.
10 October - Saturday
Book your tickets here
The Waves Will Carry Us《人生海海》
LAU Kek-Huat|Taiwan|2025|18+|100 mins
Mandarin, Malay, Cantonese, Min Nan|Subtitles: EN, ZH
Genre : Drama
German premiere
When Ah-Yao returns to Malaysia for his father’s funeral, religious authorities seize the body after discovering that his father had secretly converted to Islam. Refusing to accept the decision, Ah-Yao and his siblings set out to bring their father home.
Blending dark humour and family drama with the momentum of a road movie, The Waves Will Carry Us follows a family confronting memories and histories they never fully knew. What begins as a dispute over burial becomes a journey through migration, belief, and the unfinished stories carried across generations.
Q&A with director LAU Kek-Huat 廖克發 after the movie.

Director: LAU Kek-Huat 廖克發

Cast:
WEI Chun-Chan 魏雋展,
Vera CHEN 陳雪甄,
Fabian LOO 呂楊

2025 Golden Horse Awards - Best Supporting Actress
2026 Taipei Film Awards - Best Supporting Actress
2025 Golden Horse Awards - Best Narrative Feature Nomination
11 October - Sunday
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The Legend of the Sacred Stone 《聖石傳說》
WONG Ching-po|Taiwan|2023|133 min
18+|Not rated by the German FSK. Admission for adults only.
Mandarin|Subtitles: EN, ZH
Genre: Fantasy, WuXia
Set in a richly imagined martial world brought to life through Taiwanese glove puppetry, The Legend of the Sacred Stone follows a struggle over the legendary Will Stone, an artefact said to hold immense power. As the search for the Will Stone draws together heroes, villains, and rival factions, the film unfolds through spectacular battles, intricate puppetry, and an epic tale of loyalty, righteousness, and fate. Premiering in 2000, it became a landmark in the history of glove puppetry cinema. Newly restored in 4K, it now makes its German big-screen debut.
Pre-recorded Q&A with director HUANG Qiang-hua 黃強華 after the screening.

Director: HUANG Qiang-hua 黃強華
HUANG is chief director and head writer of Taiwan’s PILI Puppet Show series, which has produced over 3,000 hours of television across 38 years. Known for literary depth and complex storytelling, he directed Wolf Castle (1998) and the feature films Legend of the Sacred Stone, The Arti, and Demigod.
Festivals and Awards
2000Taipei Film Awards - Annual Recommendations of Feature Films-Award of Outstanding Technique of the Year
17 October - Saturday
Book your tickets here
Closing Film
Mother Bhumi《地母》
CHONG Keat-Aun|Malaysia, Hong Kong, Italy, Saudi Arabia|2025|129 mins
18+|Not rated by the German FSK. Admission for adults only.
Mandarin, Malay, Thai|English Subtitles
German premiere
Set in late-1990s Malaysia, Mother Bhumi follows Hong-Im, a widowed farmer and ritual healer trying to protect her family in a multi-ethnic rice-farming village. By day, she resists the seizure of local farmland; by night, she heals the sick and performs exorcisms. As colonial-era conflicts resurface, spirits return, black magic stirs, and a monk leads a buffalo. Here, the line between the living and the dead, between political power and ritual knowledge, has never been clearly drawn.
Q&A with director CHONG Keat-Aun 張吉安 after the movie.
Sponsored by EVA Air - Cultural Ambassador Program.

Director : CHONG Keat-Aun 張吉安
Malaysian director and community arts practitioner CHONG Keat-Aun gained international acclaim with The Story of Southern Islet, winning Best New Director at the Golden Horse Awards. His follow-up Snow in Midsummer won top prizes at Venice and New York, while Pavane for an Infant recently tackled women's autonomy.
Cast :
FAN Bing-Bing 范冰冰 , Natalie HSU 許恩怡 , BAI Run-Yin 白潤音, Pearlly CHUA 蔡寶珠

2025 Golden Horse Awards - Best Leading Actress
2025 Golden Horse Awards - Best Cinematography
2025 Golden Horse Awards - Best Original Film Song
18 October - Sunday
Book your tickets here
Mongrel《白衣蒼狗》
CHIANG Wei-Liang|Taiwan, Singapore, France|2024|128 mins
18+|Not rated by the German FSK. Admission for adults only.
Taiwanese, Mandarin, Thai|English Subtitles
Genre: Drama
Berlin premiere
Oom has no legal status and no formal training, yet he has become a caregiver for older people and people with disabilities living in the mountains. As the demands of his work become increasingly difficult to bear, he is forced to choose between survival and dignity. The film follows Oom as he struggles to hold on to both through the everyday realities of caregiving.
Pre-recorded Q&A with director CHIANG Wei-Liang 曾威量 after the movie.

Director : CHIANG Wei-Liang 曾威量
Singaporean filmmaker Chiang Wei-Liang, based in Taiwan, explores Southeast Asian migration and diaspora. An alumnus of top international film academies, his acclaimed work includes the Berlinale Audi Short Film Award winner Anchorage Prohibited and the VR short Only The Mountain Remains. Mongrel is his debut feature film.
Cast
Wanlop RUNGKUMJAD, LU Yi-Ching 陸弈靜, HONG Yu-Hong 洪瑜鴻(春風), KUO Shu-Wei 郭書瑋, Atchara SUWAN

Festivals and Awards
2024 Cannes Film Festival - Special Mention for the Caméra d’Or
2024 Golden Horse Awards - Best New Director
2024 Singapore International Film Festival - Best Asian Feature Film
24 October - Saturday
Book your tickets here
The Waves Will Carry Us《人生海海》
LAU Kek-Huat|Taiwan|2025|18+|100 mins
Mandarin, Malay, Cantonese, Min Nan|Subtitles: EN, ZH
Genre : Drama
German premiere
When Ah-Yao returns to Malaysia for his father’s funeral, religious authorities seize the body after discovering that his father had secretly converted to Islam. Refusing to accept the decision, Ah-Yao and his siblings set out to bring their father home.
Blending dark humour and family drama with the momentum of a road movie, The Waves Will Carry Us follows a family confronting memories and histories they never fully knew. What begins as a dispute over burial becomes a journey through migration, belief, and the unfinished stories carried across generations.
Q&A with director LAU Kek-Huat 廖克發 after the movie.

Director: LAU Kek-Huat 廖克發

Cast:
WEI Chun-Chan 魏雋展,
Vera CHEN 陳雪甄,
Fabian LOO 呂楊

2025 Golden Horse Awards - Best Supporting Actress
2026 Taipei Film Awards - Best Supporting Actress
2025 Golden Horse Awards - Best Narrative Feature Nomination
25 October - Sunday
Book your tickets here
Mongrel《白衣蒼狗》
CHIANG Wei-Liang|Taiwan, Singapore, France|2024|128 mins
18+|Not rated by the German FSK. Admission for adults only.
Taiwanese, Mandarin, Thai|English Subtitles
Genre: Drama
Oom has no legal status and no formal training, yet he has become a caregiver for older people and people with disabilities living in the mountains. As the demands of his work become increasingly difficult to bear, he is forced to choose between survival and dignity. The film follows Oom as he struggles to hold on to both through the everyday realities of caregiving.
Pre-recorded Q&A with director CHIANG Wei-Liang 曾威量 after the movie.

Director : CHIANG Wei-Liang 曾威量
Singaporean filmmaker Chiang Wei-Liang, based in Taiwan, explores Southeast Asian migration and diaspora. An alumnus of top international film academies, his acclaimed work includes the Berlinale Audi Short Film Award winner Anchorage Prohibited and the VR short Only The Mountain Remains. Mongrel is his debut feature film.
Cast
Wanlop RUNGKUMJAD, LU Yi-Ching 陸弈靜, HONG Yu-Hong 洪瑜鴻(春風), KUO Shu-Wei 郭書瑋, Atchara SUWAN

Festivals and Awards
2024 Cannes Film Festival - Special Mention for the Caméra d’Or
2024 Golden Horse Awards - Best New Director
2024 Singapore International Film Festival - Best Asian Feature Film
Tickets
Opening Film: Regular 15 € / Student 13 €
Other screenings: Regular 13 € / Student 11 €
All tickets are sold on a first-come-first-served basis. Tickets are the only proof of purchase for admittance to screenings and will not be reissued if lost or damaged. Accessible seats are limited. Please make reservations in advance. To ensure screening quality, latecomers will NOT be admitted to screenings 10 minutes after films begin, and tickets are NON-RE-FUNDABLE. Please obey rules for eating/drinking at the venue. All film rights belong to the copyright owners. Photography or video/audio recording during the screenings is strictly prohibited. The festival reserves the right to require deletion of illegal files. Film information listed in the program book is up-to-dateat the time of publication. Any further changes (running time/rating, etc.) will be announced on the festival‘s official website and at the venues. Running time does not include Q&A sessions before or after screenings. The festival reserves the right to change the program.
Accessibility Notice
P60: The venue is located on the ground floor. Please note that there is one step at the entrance, so step-free access is currently not available.
Guests who may require assistance are welcome to contact us in advance at info@impressiontaiwan.org.
Cineplex Alhambra
SİNEMA Transtopia Accessibility Statement
The foyer and screening room is completely barrier-free through the garden entrance. Barrier-free toilets are available.
18+ Films|Not rated by the German FSK. Admission for adults only.
About
CURATOR'S PROLOGUE
When I walk into a cinema, I often think a story will carry me toward some kind of ending.
Over time, however, I have come to realize that what stays with me is not always the moment when a story is fully told, but the state before it takes shape. It may be the pause before someone speaks, the silence a family cannot bring itself to hold, a rumor that keeps circulating yet can never quite be confirmed, or the sudden gap that opens between what we have lived and what we can explain. Very often, this is where stories begin. It is also where this festival begins.
This year, Taiwan Film Festival Berlin takes FOLKTALE | The Story We Invent to Survive as its theme. These are not simply ancient myths, but stories people invent when reality cannot hold everything they have lived through. Folktales are never finished. They change with every telling, as every generation leaves something behind and carries something forward. This year's programme begins there.
Stories have never stayed where they began. Berlin, like Taiwan, has been shaped by rupture, migration, and lives lived across languages. As these films meet new audiences, they take on new meanings of their own. They are not here to offer a complete picture of Taiwan, but to open conversations that continue beyond the screen.
That is also how we imagine a film festival. Stories do not live only in films. They are spoken, remembered, performed, and heard. Through benshi narration, cine-concert performances, workshops, and conversations, storytelling moves beyond the screen into voice, music, memory, and shared experience. These are not supplementary events. They are different ways for stories to keep finding their audiences.
When feelings cannot yet be named and reality cannot fully contain what we have experienced, what fills that space?
Perhaps it is a film. A sound. A retelling. Or a memory that surfaces only after the lights come back on.
These stories do not promise answers. They cannot undo loss or uncertainty. They simply remind us, if only for a moment, that we do not have to carry them alone.
Short Film introduction
Introduced in 2024, the Young Talent Shorts competition focusses on emerging filmmakers and highlights new perspectives shaping contemporary Taiwanese cinema. Bringing together twelve short films across two screenings, the programme creates a space for voices at different stages of their creative journeys, spanning diverse genres, forms, and lived experiences.
The first screening centres on filmmakers connected to the Taiwanese diaspora, exploring questions of migration, identity, memory, and belonging through personal and experimental approaches. The second turns toward a new generation of filmmakers working in Taiwan, presenting bold, inventive works that reflect the breadth and vitality of the island's contemporary short film scene.
Together, the two programmes trace a dialogue between Taiwan and its diasporas, where personal histories, formal experimentation, and new cinematic languages intersect. Across fiction, documentary, animation, and hybrid forms, the selected works reveal contemporary Taiwanese short cinema as a field of exchange—one shaped by movement, curiosity, and multiple ways of seeing.
Team
- Festival Director:
WU Hao-Ping
- Festival Curator:
CHIU Shengta
- Curation Assistant:
Lee Yung-Cheng
- Curation Assistant:
Ying-Ju Chen
- Shorts Program Curator:
Nils STEINMETZ
- Shorts Program Assistant:
I-Chieh TSAI
- Head of Marketing:
Chihhsiang Su
- Finance / Opening Event Management:
Shen Lien
- Event Photography Director:
Jared YEH
- Press Coordinator:
Uke GAXHERI
- Event Host:
SU Yi-Ning
- Travel Coordination – VIP Guests:
LIN Tsai-Ying
- Travel Coordination – Short Film Guests:
Angèle-Montmartre MA
- Volunteer Management:
WU Kuanhung (Ken)
- Location Management – Cineplex Alhambra:
CHENG Shao-Yu
- Location Management – P60:
HSIEH I-Ju
- Location Management – SINEMA:
Shahla ABDULLAYEVA
- Intern – Ticketing, Editing & PR Support:
Yien CHEN
- Intern – Ticketing, Editing & PR Support:
Kelly HUANG
- Culture Day Manager / Graphic Designer:
NIU Kuang-Yu
- Culture Day – Planning and Execution:
Ian WANG
- Culture Day – Planning and Execution:
Claire WANG
- Culture Day – Vendor Liaison:
HE Pun Chun
- Culture Day – Vendor Liaison:
Marlin YE
Presented by
Sponsored by
In cooperation
with
Official
airline partner
Partners
Media
partners
Venue
partner
Contact & Information
Impression Taiwan e.V.
Prinzenallee 60, 13359 Berlin
Imprint
Email
info@impressiontaiwan.org
Instagram
instagram.com/tff_berlin